Producing a play is hard—really hard. REALLY, REALLY hard. Producers are responsible for hiring directors, designers, and actors and then facilitating their interaction to allow for the highest possible creative output while also being mindful of budget constraints.
Like I said, Producing Ain’t Easy.
But, what if you could eliminate (or at least diminish) most of the “hard” by selecting a show that is equal parts simple, unconventional, and thought-provoking?
WHITE RABBIT RED RABBIT does just that.
A Co-Production between Renaissance City Rep and Tipping Point Theatre, RABBIT is a one-of-a-kind theatrical experience by Iranian playwright Nassim Soleimanpour. This unique piece opened March 8 under Renaissance City Rep at the Oakland University Lab Theatre, starring Brady Jacot. It’s next stop is at Tipping Point Theatre this coming March 30, starring TPT Artistic Director Julia Glander.
“Performing is always a leap of faith. You have to trust your brain, body, heart and soul that you've done your research, been guided at rehearsal and are ready to embark on a journey at every performance” states Glander.
“Now take away all that. Instead, you walk on stage in front of an audience and are given a script for the first time. It's a cold reading and you can't rely on total improvisation. This stirs up a lot of feelings - it's the actor's nightmare. It’s terrifying not knowing what's on the page, but also very liberating not knowing what's on the page. That is definitely theatre that I would want to see. I think it can be challenging and thrilling for both the performer and the audience.”
What makes RABBIT so unique is that it requires no rehearsal, no director, no set, and a different actor at each performance. This concept has led to RABBIT being one of the most produced pieces of theatre since its premiere in 2011.
WHITE RABBIT RED RABBIT was conceived when Soleimanpour was barred from leaving the country (Iran) after refusing military service. It has since become a “message in a bottle”, using theatre as a means of political and social commentary.
Called "A thoughtful, playful response to oppression.” by The Guardian, TPT was approached by Renaissance City for this co-production. Company Manager, Brian Sage, thought it was a perfect pairing with the piece ENGLISH, also playing at Tipping Point until April 6.
“We like challenges at Tipping Point Theatre.” continued Glander. “We also like collaboration and we thank Renaissance City Repertory Theatre for this opportunity.”
Regardless of who approached whom, this co-production speaks to the power of community. And, hopefully, this is just one example of how companies across Michigan can continue working together to bring audiences work with a powerful point of view.
